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Josh Marchesini is a writer, artsworker and emerging producer based in Tkarón:to.
With five years of experience in arts & culture, he works within a process-oriented, needs-based approach to support artistic projects. Josh has worked with a variety of organizations both in theatre and the visual arts to execute effective strategies in fundraising, producing, marketing and social media.
While he got his start in marketing/communications volunteering for a charity fashion club in university, his experience in combining communications and the arts enables him to deliver on comprehensive campaigns. When he’s away from his desk, you can find him listening to a new album or watching reality TV reruns. He brings a particular focus on contextualization across the projects he engages in (he loves a good pop culture reference!), taking time to develop a thorough understanding of the space and tone in which artsworkers and artists operate within (talk to me about TikTok!)
Josh holds a Graduate Certificate in Arts Administration & Cultural Management from Humber Polytechnic, a BA in Art History from McGill University and has participated in mentorships with Race & Disability Canada, Toronto Fringe, Generator and Communicating the Arts. Josh is an alum of Our Bodies, Our Stories, an interdisciplinary creation and arts leadership program, directed by Kama La Mackerel.
As a queer Salvadoran-Canadian, born and raised in the working class neighbourhood of Rexdale, Josh is eager to work on artistic projects that centre Latine perspectives, transcend borders, disruption, queer joy and artistic creation with a particular focus on chisme (Spanish for “gossip”) in the art world.
As a second generation Canadian, I would like to acknowledge that I live and work in the traditional territory of the Anishinabeg, the Wendat, the Haudenosaunee and the Mississaugas of the Credit.
Como canadiense de segunda generación, quiero reconocer que vivo y trabajo en el territorio tradicional de los Anishinabeg, los Wendat, los Haudenosaunee y los Mississaugas del Credit
En tant que Canadian de deuxième génération, je reconnais que je vis et travaille sur le territoire traditionnel du Anishnabeg, les Chippewa, les Haudenosaunee et les Wendats.